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A member of the backstage crew was frantically trying to swipe it around the stage between the rows of performers, out of sight of the audience, because one of the little angel dancers in her tiny halo and wings had left a pool of pee behind her. A few musical beats later, Monaco was leaping across the stage, dancing the Spanish variation, and — wouldn’t you know? — the half-swabbed puddle was right where he needed to land. “I did my thing, and then I had to kneel and I was thinking, ‘Oh, this is wet. Oh no!’ ” he says. “But I had to be on my mark.” Exiting, finally, with wet knees, he found his colleagues in the wings in fits of laughter.

Performing with children raises other issues, The norovirus, for instance, Now, no one’s saying that “Nutcracker” kids aren’t adorable, nor that they shouldn’t be part of this ballet, which is, after all, centered on a child, Also, kids in the cast guarantee parents in the seats; i.e., ticket sales, Dancers are well aware of the economics of “The Nutcracker,” that its long run of shows — a month or more — and its family appeal can help fund a ballet company’s more artistically interesting but financially riskier productions for the rest of the year, Appearing in the first-act small ballet shoes romantic shabby chic party scene, or swooping around as an angel or one of the little tykes popping out from Mother Ginger’s skirt is also good performing experience for young dance students, So kids in the cast — by all means, yes, But there can be a cost, as the Boston Ballet discovered last year..

Dancer Lawrence Rines recalls that one of the littlest dancers was sick with norovirus, but he didn’t know it (yet), and he wanted to perform anyway. He threw up in one of the dressing rooms. “Then, like wildfire, it spread, and by end, like, over 200 people had it, including kids, their parents, dancers, artistic staff,” Rines says. “There was a bit of hysteria.”. A cleaning team came in. Dancers were ordered to stay home if they had symptoms. “I did hear of a kid in the wings taking the hat off the costume and throwing up in the hat,” Rines says. But no shows were canceled. They went on, of course, as they must.

For the professional dancers, the biggest “Nutcracker” woes involve their costumes, props and choreography, In the snow scene, for instance, little Clara encounters ballerinas dressed as snowflakes, whirling through a storm of silvery flurries, whipped along by some of the most gorgeous, dramatic music in small ballet shoes romantic shabby chic the Tchaikovsky score, It is a guaranteed crowd-pleaser, Yet for the women onstage, the snow scene can be a stone-cold killer, They’re circling around, jumping and spinning, desperate for air, but if they gasp, they’ll gag on fake flakes..

“Only closed-teeth smiles,” counsels dancer Elizabeth Walker of Los Angeles Ballet. “Breathe through your teeth.”. Johnson remembers her first year as a snowflake, wearing an icicle crown that she hadn’t pinned down tightly enough. During a series of turns, it flew off, and she danced the rest of the scene alongside her snowflake sisters as the single, conspicuously bareheaded flake — a mortifying rookie mistake. But another novice snowflake had it worse. At one point, standing at the far end of the line, this young and very green apprentice gracefully bent down over her front foot and then rose to do a little jump along with the other ballerinas. Except she was stuck in the mesh fabric of the wing.

“The wing, like, ate her crown,” Johnson says, “She had small ballet shoes romantic shabby chic to go offstage and get unstuck, It was, ‘Oh, we just lost a snowflake.’ ”, Male dancers have their troubles, too, For Michael Sean Breeden, who recently retired from Miami City Ballet, his nightmare variation was the intensely athletic Candy Cane, performed to the fast, high-spirited “Trepak” music in George Balanchine’s version of “The Nutcracker.” The leading dancer carries a big hoop, and while he’s bouncing and leaping, he swings it overhead, flips it under his feet and whips it around himself like a jump-rope..

“There are 500 things that could go wrong,” Breeden says, and he’s suffered them all, including the smacked chin, banged skull, smashed toes and trips. “I had a year where I’d get caught in the hoop in a different moment each time. OK, so next time, I’d have my mental strategy, like, don’t pull your chin in. And I’d clear that hurdle, and the next sequence I hadn’t over-analyzed would get me.”. But even worse was his year with Boston Ballet, as the Bear in the first-act party scene, which he calls “possibly the worst thing I’ve ever done in my life.” He wore a big, furry head that complicated basic needs such as seeing and breathing. The choreography was virtuosic — difficult, strenuous turns.

“I was in tears,” he says, “before and after.”, And yet, the men and women interviewed for this article agreed that the men’s burden in most any version of “The Nutcracker” is nothing compared with what the ballerinas go through, “When small ballet shoes romantic shabby chic the boys are complaining, we’re like, ‘Dude, you cannot be saying that, Whoa, whoa, whoa, Don’t be talking to us right now,'” Johnson says, “I’m sure they get hot, and their hearts beat quite a bit, but the girls are getting corns and are in pointe shoes every day.”..

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