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Still, a full live band would’ve improved things greatly and helped the whole evening feel a bit less monotonous. The pop-art performance was structured to a fault, as if her every step and strum were designed by robo-rock computer programmers. There was occasionally great synergy to that approach, as the visuals strengthened her lyrical meditations on the human condition in the 21st century. Mostly, however, the show failed to live up to its potential. — Jim Harrington (@jimthecritic) January 23, 2018.

Sure, there were some brief, flickering moments of greatness, such as when St, Vincent appeared below a single spotlight onstage and opened the show with a dramatic solo version of the title track of her first album, 2007’s patent leather shoes/patent leather pumps/patent leather shoes/beige shoes/ballet pumps “Marry Me.”, From there, she strapped on a guitar and proceeded to rock and roll through two sets of music, the first of which was dedicated to tracks from her first four albums, The complex electro-rock of “Now, Now” lit up the building, only to give way to the rippling guitar work of “Cruel” and then the steely cool “Cheerleader.”..

The music was distancing at times, but St. Vincent’s warm banter from the stage was the exact opposite. “Hello, San Francisco. So, the world is on fire. But you are here tonight,” she said before playing “Digital Witness.” “The one thing I do know is there is always something to dance about.”. In general, the first set was more enjoyable than the second. And that definitely shouldn’t have been the case, since the second half was dedicated entirely to “Masseduction” — which is the best album of St. Vincent’s career.

But the show wasn’t nearly as satisfying as the album, even though, ironically, it sounded a lot like the album, And that’s because one goes to a concert in hopes of seeing an artist take the material to a whole new level, Yet, St, Vincent just refused to take us any higher, And, eventually, the crowd began to respond accordingly, Sure, fans showered the star with patent leather shoes/patent leather pumps/patent leather shoes/beige shoes/ballet pumps adoration at the start of the show, But the response grew more lukewarm as the night progressed, There were a few standout numbers in the second set, as St, Vincent performed “Masseduction” from start to finish, Notably, “Happy Birthday, Johnny” was gorgeous and then there was that great tribute to the Big Apple..

The great female opera singers are often depicted as pampered and demanding, reveling in their own fabulousness. Opera legend Renée Fleming, however, has always been known for being friendly and down-to-earth, as well as immensely talented. She’s glamorous, but unwaveringly genuine. In a career spanning more than 30 years, she has performed for heads of state and royalty. She has thrilled audiences around the globe with her magnificent soprano voice. But Fleming doesn’t seek to be glorified. She just wants to do everything she can to spread the joy of music.

She is often referred to as “the people’s diva.”, “I think that’s the perfect oxymoron, It’s absolutely terrific,” Fleming patent leather shoes/patent leather pumps/patent leather shoes/beige shoes/ballet pumps said, reached by phone en route to a concert date, Fleming has performed at the world’s most prestigious concert halls and opera stages, but also in other settings, including the Super Bowl, President Obama’s inauguration and the 2008 Olympics in Beijing, She even appeared on “Sesame Street” and sang a Top 10 list for David Letterman, Her aim is to help open up general audiences to opera, removing the sense the genre might be an elitist form..

“Frankly, today, given the amount of information we’re bombarded with every day, it’s very difficult for classical musicians and the classical arts in general to get any kind of mainstream traction,” Fleming said. “If people don’t know about it, they’re not going to come. So it’s important for all of these art forms that we try some kind of larger platforms, when the opportunity arises. “People have no exposure now that music is very inconsistently offered in schools. So there’s no kind of seed. On the other hand, performing arts organizations around the country are doing a fabulous job of outreach, trying to really support the community, offering services, as opposed to kind of being the holy temples of art.”.

Fleming, who performs at Stanford’s Bing Concert Hall on Wednesday, Jan, 31, presents a diverse repertoire at her recitals, “It’s obviously music that I really love, but it’s also for the audience, We have something for everyone,” Fleming said, The concert patent leather shoes/patent leather pumps/patent leather shoes/beige shoes/ballet pumps will include pieces by Handel, Brahms and Oscar Straus, new works by Pulitzer Prize winner Caroline Shaw, an aria from a Rufus Wainwright opera, as well as a tribute to Broadway/cabaret star Barbara Cook, a friend of Fleming’s who died in August..

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