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Forty neon signs that once drew visitors to some of Las Vegas’ most iconic casino-hotels and other venues will shine again for the public starting Thursday night at the Neon Museum, but not a single one of their lights will truly be on. The unrestored marquees, worn by the beating sun and twisted by desert winds, are being brought back to life thanks to projection mapping, a type of augmented reality created by projecting life-like digital animations of the signs onto the hulking metal. “We are combining art, history and technology in this space,” said Neon Museum president and chief executive officer Rob McCoy.

He added: “This is Las Vegas as it was, It is very emotional, Even people who don’t live here, but live around the United States or around the world, they all have in their baiwu adult printed chiffon wrap ballet skirt heads a romantic image of Las Vegas, and it’s usually that vintage, neon Las Vegas.”, The signs on display include the Golden Nugget, Lady Luck, Binion’s Horseshoe and the first four futuristic-looking letters of the Stardust because the sign at the museum is missing the “dust” part of it..

The 30-minute immersive experience presented after sunset allows visitors to walk freely around the outdoor gallery and get close to the signs. A soundtrack that includes Elvis Presley’s “Night Life,” ”Mr. Sandman” by The Chordettes and Ella Fitzgerald’s “I’m Beginning to See The Light” plays in tandem with each sign that is illuminated. Neon signs were introduced to the United States at the 1893 World Fair in Chicago. But no city embraced the luminous tube lights quite like Las Vegas. Dozens of those now-retired signs are housed at the museum but not all remain functional, leaving it up to visitors to imagine what the marquees looked like decades ago. Restoring the signs can cost tens of thousands of dollars each so using projection mapping is a cheaper process to show what they once looked like lighted up.

Digital artist and designer Craig Winslow used photos, drone video and other references to digitally recreate each sign, bulb by bulb, He then used a scanning process to determine the precise placement of eight projectors to ensure the alignment of the content with the bulbs, rusted metal and tubes of the signs, “There are moments here where there’s no bulb, but I’ve baiwu adult printed chiffon wrap ballet skirt created a digital bulb that is in its place,” Winslow said, “From far away it just looks like the sign is lit, You get up closer, and you realize all these are broken or there are missing bulbs or hanging bulbs.”..

As the Binion’s horseshoe flickers in shades of gold and red, Dean Martin croons “I Love Vegas.” Meanwhile, Presley’s “Viva Las Vegas” blasts as the set of the Stardust letters shine. Historical footage of this gambling oasis will also be projected onto the signs, showing Liberace playing the piano and gamblers playing table games. “Whether they come by car, rail or circle the city and dropping by plane, their eyes pop wide open with their first glimpse of Las Vegas,” a historical narration plays right before the signs begin to light up. “A city whose head is wreathed in garlands of neon signs, and a city of storybook west.”.

This weekend’s concerts by the Berkeley Symphony were originally scheduled to be conducted by music director Joana Carneiro, But Carneiro is at home in Lisbon, Portugal, expecting the birth of her fourth child, and the Symphony has announced that she is unable to travel to Berkeley, The baiwu adult printed chiffon wrap ballet skirt concerts will go on, however, with guest conductor Keitaro Harada on the podium, Harada will conduct Faure’s “Cantique de Jean Racine,” Berlioz’s “Symphonie fantastique” and Gordon Getty’s cantata, “Joan and the Bells,” featuring soprano Lisa Delan and baritone Lester Lynch as the vocal soloists, Harada, a Tokyo native, is currently in his second season as associate conductor of the Cincinnati Symphony Orchestra, the Cincinnati Pops and the Arizona Opera..

Carneiro, who took off part of last season when she was pregnant with triplets, will also miss the Berkeley Symphony’s upcoming program in April, which includes Beethoven’s Ninth Symphony. A replacement will for that concert will be named later. Details: Berkeley Symphony concert, Keitaro Harada conducts Faure, Berlioz, and Gordon Getty; 8 p.m. Feb. 1, Zellerbach Hall, UC Berkeley; 8 p.m. Feb. 2, San Francisco Conservatory of Music, San Francisco; $15-$96; 510-841-2800; www.berkeleysymphony.org.

A ‘FANTEZIE’ UNFOLDS:  It’s a good weekend for chamber music, and the Gold Coast Chamber Players’ new program looks especially intriguing, Under violist Pamela Freund-Striplen, the Lafayette-based chamber group will present two performances of “Fantezie,” a program celebrating the Romanian spirit in works by Bartok, Georges Enescu and Eugene Ysaÿe, Freund-Striplen will be joined by violinist Gil Sharon and violist Ron Ephrat of the Netherlands’ Amati Ensemble, along with violinists Florin Parvulescu, Corina Stoian and Dan Flanagan and cellists Jean-Michel Fonteneau and Jennifer Floetzel, The program features Enescu’s String Octet and Aubade for String Trio, Completing the baiwu adult printed chiffon wrap ballet skirt program are Ysaÿe’s Sonata No, 3, “Georges Enescu,” and Bartok’s “Romanian Dances” for violin and string quartet, Kai Christiansen will give a preconcert talk 30 minutes before each concert..

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